Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Festival Afrobeat Vasca

Kalè kalè. Makulu Ken. Autoekoizpena, 2016
Zarata mediatikoz beteriko garai nahasiotan, merkatu logiketatik urrun eta irakurleengandik gertu dagoen kazetaritza beharrezkoa dela uste baduzu, ARGIA bultzatzera animatu nahi zaitugu. Geroz eta gehiago gara, jarrai dezagun txikitik eragiten.

The Makulu Ken group plays Afrobeat rhythms and melodies, with a lot of passion, enthusiasm and enthusiasm. These are joyful, dancing songs, ideal for moving the body; nice melodies and hot rhythms.

The songs are well dressed and have used various instruments: percussions, wind instruments, voices, keyboards, guitars... The recording has been attended by many people, as well as by the other tasks they have carried out. The presentation and design are also very well worked and the result is elegant, colorful, just like the songs.

They transmit raw messages through the songs: “The Mare Nostrum (or) is full of corpses, that is a privilege and where to be born” (Song of leakage); “The planets in a line and I looking at the screen, the last train looking at our screen” (So! ); “In the realm of the psychopathic hands of the insensitive, all under the control of some madmen” (1. Bill Hippies section); “Goxo-goxo bizi gera, txepelak, epel-epel-koldarrak” (2. Sponsored Section in Paltsukeri Templada).

However, they try to convey joy and joy of living, because, in short, enjoying every moment of life is healthy: “Bring the flesh to life, bring it out to every second you have left” (Unexpectedly).

For this, they claim the philosophy expressed by Makulu Ken’s own name: to speak without crutches, to communicate, to love, to live: “We need love crutches, talking crutches, crutches, also to be oneself, cotton sticks, telephone sticks, money crutches, fashion crutches” (Makuluk).

Her previous album saw the light in 2012. After dozens of performances to present this album, they rested to create and compose new songs and are ready to perform again in public, with the album Kalè kalè: “And from street to street we are shaking the rhythms of our music, stirring the doubts of our consciences and mixing the corners.”

Bidali zure iritzi artikuluak iritzia@argia.eus helbide elektronikora

ARGIAk ez du zertan bat etorri artikuluen edukiarekin. Idatzien gehienezko luzera 4.500 karakterekoa da (espazioak barne). Idazkera aldetik gutxieneko zuzentasun bat beharrezkoa da: batetik, ARGIAk ezin du hartu zuzenketa sakona egiteko lanik; bestetik, egitekotan edukia nahi gabe aldatzeko arriskua dago. ARGIAk azaleko zuzenketak edo moldaketak egingo dizkie artikuluei, behar izanez gero.


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