The sweat of
growing BELARMIÑAK
Bonberenea Ekintzak, 2016

It takes a little bit of air, big, to see today's news items, to read the newspapers, and generally to go out on the street every day and follow the path to what many citizens live in. We will surely put the stomach at risk if we continue not to stop at the wheel of this crazy daily rhythm. We will have to crush the brake one day! Well, these old dogs have decided, with the help of Belarusian, not to turn their backs on daily life, to take care of the bowels and to set a new rhythm to life, more relaxed, lighter and simpler. In his words, however, criticism of the habits and mechanisms that link us is brutal.

They sing the achaques to grow in their first feature film (previously released several songs almost involuntarily under the name Lehen urrats), a sleek 10-inch album edited by Bonberenea Ekintzak giving a CD.

Since the creation of the project, the group is consolidating and consolidating, and so have its songs, which are increasing and growing in nuances. The four members of the group have been part of groups such as Torture Systematika, Electric Wolf, Azken, Pearls, Iratzar and others. And although they've smoothed a lot compared to the background, like Belarusians, they have their potentialities within their colorful costumes. In fact, the group has been rubbing away the folk that dominated the The First Steps collection. And his place has been enthusiastically occupied by the power-pop and the guitarist. That's where the guitarist Iki has a lot to say, among other things, because the guitar really likes to sound.

They've recovered the arteries that want us to extend that work. They sing to the grave that we've dug ourselves, to the mortgage, and Iki has done a great job with the guitar. Drink from the '80s, pop, rock and also post-punk, and although sometimes it's more pope, guitars get a lot of strength.

It's so narrow that music is more positive, not so much in words. It's more fun, but it also looks like Igor Arzuaga Mara from the song of sleep, from recitation and tempo. The party is a group statement, a symbol of what does not give up. The horse comes to the horseback with distortions and does not envy the rounder brit-pop groups, with choirs and everything, although in the end he dies in brutality by losing (or leaving) control.

And finally, the piece Name and Being: the most rounded song, with energy and optimism, with choirs. A bright and vivid pop, which also loves noise-pop and which also breathes close The Clash.