Jerardo Elortza doesn't think the same. Since it went from Zeruko Argia to ARGIA, it has all the magazines available until today. And where do you all get them? When he had filled all the holes in the house, he made his place in the garage and found the corner that they had prepared in his daughter's house to keep the boxes full of sacrifices. It is not the only medium in the paper it has collected: it has recognised that it also has the old Punto and Horak or the old Egin. And she laughs. “Even if you say otherwise, wisdom takes its place, yes.” However, there is no special reason to keep all these newspapers and magazines. I don't know for any reason, but it has the file that anyone can want.

Oñatiarra Jerardo Elortza has a degree in German philology and has been working on Basque culture and Basque culture for years. She has been an ARGIA subscriber since the last phase of Zeruko Argia and has known the weekly tour as few people. He taught Euskera and history in the 1980s, with ARGIA being the language used to work in the Basque world.

But with the treasure at home, the trajectory of the last forty years is not only seen in the writings, but also in the images. Covers. What have the skins and images of the weekly left us over these years? The first cover of ARGIA, the Lemoiz nuclear power plant, to Elortza, and the historical photographs that were taken in the hospital after being tortured by Anparo Arangoa, which were previously published in Zeruko Argia in 1976, come to the head. But those photos, images and covers not only show us the direction of the history of our people, but also the path that the medium has made in that story; what a place has been given in the magazine, what the cover has been given ...

Jerardo Elortza is more than an Asteki subscriber, in addition to the archivist. It is actively involved in the ARGIA project. Or do you not remember who made the historic guided tour of Light Day in Oñati 2015?