He had been in the same format for fourteen years as the Children's and Youth Literature Journal Behaberri, which was first published in 1998. Design modes have changed since then, have evolved and members of the drafting committee were imposing on the need to adapt to new trends. After a brief reflection, the coordinator Lore Agirrezabal explained. The illustrator Aitziber Alonso, for example, wanted a post that could be repeated over and over again, “that she wouldn’t be afraid that she could catch, see and cut if she liked something”. The Book Comments section, which is the most safe one to use, as users go to it for reviews and instructions, now advises to cut the pages by the edge, out of the magazine, to use them to their liking and place them wherever they want.

Starting from the surface, this time it's more periodic. The journalistic criteria have become more important both in the conception of the parties and in the way they are illustrated and adapted to the style. “We have left behind Hitzontzi, Hitz eta pitz and the rest of the names created with the word, because whoever did not follow the magazine from the beginning was difficult to catch what was coming in each section,” explains Agirrezabal. In the same vein is the reflection on the illustrations: “Before, only one illustrator took the illustration of the whole magazine. The magazine became the plaza of the illustrator, so to speak, but it also had risks, as these images had no relation to the contents being worked on, and it was sometimes confusing.” At one time, the news fills some articles with photographs, and the illustrations used do not have to be by a single author. On the other hand, they agree with the content.

The central pages are occupied by a supplement fully assigned to the creation. Illustrators and writers appear by pairs. “Our intention is to form pairs that have never worked together. We leave it to you to decide which of the two should start. That is, what must be before, words or images,” explains Agirrezabal. Pello Añorga and Leire Urbeltz have broken the road and in this case have taken the poems of Añorga as their starting point. Another task asked of the illustrator is the design of the front cover and the back cover. In number 28, they both come as if they were just one, because someone can get rid of the staples and serve as a poster.

Although apparently not detected, the comment section has also been slightly modified. Obviously, to the two issues published a year, you cannot bring all the production in Basque. The selection of books that have to appear in them is more ingenious, more conscious, more rigorous. For this purpose, the Reading Seminar held by the Galtzagorri Association is used. “Meetings are held once a month from September to June. They read and analyze what has been produced during the course, especially the children's literature, aimed at children from 0 to 10 years of age. The books are made a note and a comment, and those who pass that bahe come to Behoxa,” Agirrezabal explained.

We have been struck by the last paragraph. Two pages provide information in short format about the collaborators who have intervened in this particular issue. A nice way to thank the works received, no doubt.