Click!
- Usabal, full of people. It's sweet for the song, it puts bertsolari when it comes to finding his place. Anyway, not everything is room, the moment is also important: and this was a semifinal. I walked into the bank just before the session started, and I found a bank next to the board. From the perspective of the whole plaza, the tension was evident. But as the bertsolaris started with punctual work, the atmosphere relaxed; I would say healthy.
9 November 2013, in Gernika. Bertsolaris: AMETS Arzallus (717); Jokin Uranga (657.5); Jone Uria (653); Jon Martin (640.5); Julio Soto (639.5); Nerea Elustondo (633.5).
My daughter, when she goes to bed, feels a great fondness for the lights and shadows that lie in her head. In the Tolosa program, I would have enjoyed it very much.
In the trades exercise, click the switch. We hear some very good bertsos, but I think we don't listen to the full exercise. Turning the light on, turning it off immediately. It highlights the great work of Igor Elortza in the big zortziko. It seems to me that Mantxi did not make the way for the conversation much easier, but Igor pulled water out of an incandescent well. The best job of the trades I have heard this year in the championship would not be far away.
On the other hand, opening a parentheses, the great work of Unai Iturriaga, also gave me light. According to the legal criteria, point 3.4 reads: The pause is made based on the melody. As it will sometimes be compulsory, in some melodies it will not be necessary. Unai broke several gaps. Whatever is lawful by court criteria, by the way. But I am convinced that whoever chooses a melody that does not need a pause, offers a technical ease, do judges also value it? In other words, bertsolaris start with different starting points. Well, one more click, and let's go to the session.
Another curious phenomenon in the lesser zortziko exercises. In the office of Etxahun Lekue with Igor, the latter used the reference of what he had previously done with Manchxi. Its use and form. The same was done by Jexux Mari Irazu with Iturriaga, who was very well taken advantage of. Manchi too, with Amaia Agirre, but he didn't get it right. It seems that the inclusion of references in the session is being assessed. In the lesser zortziko we live a small epidemic of reference. That is OK, but it is clear that everything is to a fair extent.
Everything in the answers of points. The same points, better than the previous day in Gernika, all said.
In the last of the six finos also all the bertsolaris. I liked Mantxi and Irazu, who approached the issue realistically from the role of their grandparents and granddaughters, without falling into a pose that seemed easier.
And finally, alone in jail. They were all OK. The topic was: -You're afraid to sleep under the light of the hallway. Some have elongated the front aisle and found the light at the point where I expected the darkness to happen. Others will have to keep looking for where there is a switch.
General classification
The second round of semi-finals will go from 24 to
18. IGOR Elortza: 722
2. AMETS Arzallus: 717
3. Iñigo Mantzizidor Mantxi: 667,5
4. Jokin Uranga: 657,5
5. Jone Uria: 653
6. Etxahun Lekue 649
7. Unai Iturriaga: 649
8. Jon Martin: 640,5
9. Julio Soto: 639,5
10. Mari Irazu: 638,5
11. Amaia Agirre: 638
12. Nerea Elustondo: 633,5
Vagina Shadow(iko)
Group: The Mud Flowers.
The actors: Araitz Katarain, Janire Arrizabalaga and Izaro Bilbao.
Directed by: by Iraitz Lizarraga.
When: February 2nd.
In which: In the Usurbil Fire Room.
