How did Elizondo’s program live? What relationship have you had with the public?

There was a great place for singing, the audience was with us, it was noticeable before the initial greetings and during the program it was seen that it was easy to turn on with few. There was a beautiful square in Elizondo.

From there the feelings are their own and I have the feeling that I have not touched in front of each other.

You're a fairly public person, what are the consequences of that?

Sometimes it's uncomfortable for people to know me. For example, if you put a topic on politics to me, people get ridiculous, or when I have to sing against something that I've defended in my life, it's graceful to the public, even if it's a serious issue. From time to time I can take advantage of it in my favour, on other occasions it is a subject that my singing colleague can take away and on other occasions it has made me an obstacle.

However, in general, people have conveyed affection and gratitude to me, and that is very nice.

He's becoming more and more aware that he's also being sung from the body. You see you flexible on the tablate, it is not at all rigid and you have also worked on issues related to the body both in the first phase and in the first semifinal. What are you looking for?

Sometimes nothing. That is what I know how to do, no more. In my life, a lot has happened to me because I'm my body and I can't and I don't want to escape. It has conditioned me a lot, we go out with a body to the plaza and those experiences are part of me.

In essence, I would say that I critically tell everyday things. I don't go much between metaphors, I think I'm more direct and I want to sing like that. What I want to do is put the body there and sing from that reality, knowing that singing from me is not breaking my life.

I would say that my intention is to connect with the public and bring to the plaza realities that are in everyone's life, because maybe you weren't fat as a child, but we've all known the school bullying or we all have around us that has left the relationship for sexual reasons.

He sang in his initial greeting: "In an eye/ almost semifinal/ I think it's come too fast." When did the championship catch you?

I've been ruthless. I have had the two sessions within 15 days, I have not had much time to put them in the face of the semi-finals. However, this also has advantages and I do not think it influenced my score.

The center of my life is somewhere else and the championship is nothing more than something that has come.

What taste of mouth has BTN left you the next day?

It leaves me a good taste and the joy of singing in Elizondo. I also bear the pity of lack of gloss. The next day I'm with a nice coupling, I'm quiet.